British director Richard Ayoade gets tangled up in noir-bizarre and loses the plot.

Coppola's "Peggy Sue Got Married" still stands out as a top-notch fantasy charmer.

Lewis Gilbert's 1960 standard sets a high mark for World War II dramatizations.

John Krokidas provides an intriguing portrayal of the youthful "Beat" writers.

In "The Call," Brad Anderson creates superior suspense — until he fritters it away.

J.J. Abrams dives back into Trekkie-land and again provides his matinee worth.

Remaking a Thai horror classic proves good fun for German director Daniel Stamm.

Going against the 007 grain was tough in the 1960s, but John Le Carré saved the day.

A nuanced Leonardo DiCaprio charges up Clint Eastwood's history of FBI chief J. Edgar Hoover.

Ernst Lubitsch got the best of Greta Garbo and Melvyn Douglas on the eve of World War II.

South African Neill Bloomkamp never gains traction in a hackneyed sci-fi fantasy.

Steven Soderbergh has a way with "wild" women, which Gina Carano proves.