Hitchcock's "cortile" movie is both obvious and sneaky, which is why it endures.

David O. Russell's ABSCAM spinoff is the wondrous sum of Amy Adams and Christian Bale.

Paweł Pawlikowski's brief story about a Polish nun is a haunting Holocaust remembrance.

John Huston's noir is a deft pastiche of urban losers headed nowhere fast.

British director Jeremy Lovering's horror thriller never gets out of the woods.

The Coen Brothers take a soft and highly melancholy look into the New York folk scene.

Julia Louis-Dreyfus and James Gandolfini are two adults in love — maybe.

Pasolini's second feature, powered by Anna Magnani, is an ode to Rome's dispossessed.

A little warped sound goes a long way in a British horror film set in the Italian 1970s.

Brendan Gleeson is typically engaging as an Irish Catholic priest faced with a menacing dilemma.

Andrew Semans plays sinister chords in a jagged little move about paranoia.

Stanley Kubrick's restored first feature is jagged, amateurish and fascinating.