Olivier Assayas' "Personal Shopper" has lots of clothes, but the people beneath them are murky.

Haitian director Raoul Peck takes risks by reviving James Baldwin's racial views.

Jordan Peele's sly "Get Out" uses horror to get to the core of American race relations.

Ashgar Farhadi deservedly picks up a second Oscar for "The Salesman," a taught marriage drama.

In Paul Verhoeven's psychological thriller, Isabelle Huppert's Michèle Leblanc is the sum of violence and lies.

Damien Chazelle's "La La Land" is chock with music and dance, but there's a basement at its core.

Writer-director Barry Jenkins' story of a taciturn boy as seen through various stages of life is a stunning accomplishment.

Scott Derrickson's saccharine "Doctor Strange," heavy on time warping and mysticism, is redeemed in part by jack-of-all-trades Benedict Cumberbatch.

In Nanni Moretti's latest, a dying mother plunges a filmmaking daughter into crisis.

In "Captain Fantastic," writer-director Matt Ross rallies precocious kids around Vigo Mortensen.

The Coen Brothers' spool of 1950s Hollywood perfectly suits their tradition of mischief.