Baby Driver
Writer-director Edgar Wright's musical caper has bright, shining moments, but they fade.
On the Beach
Stanley Kramer's uneven post-apocalyptic film retains nerve endings from the nuclear era.
Radio Days
Twenty-five years later, Woody Allen's ode to radio and Brooklyn hasn't lost its sheen.
What you wear
Olivier Assayas' "Personal Shopper" has lots of clothes, but the people beneath them are murky.
The Enemy Below
Thanks to Mitchum, Jürgens and a tight script, one submarine movie always resurfaces.
Love & Mercy
Bill Pohlad's tribute to Brian Wilson of The Beach Boys bites off more than it can chew.
H.
If apocalyptic atmosphere is your cup of tea, check out Rania Attieh's and Daniel Garcia's tribute to Homeric tidings.
Bringing back Baldwin
Haitian director Raoul Peck takes risks by reviving James Baldwin's racial views.
Embers
Clare Carré's dreamy debut has lofty aims but ends up going around in tedious circles.
Sing
Here's a sweet tearjerker about animated vaudevillians trying to restore a theater.
Split
M. Night Shyamalan seems well on his way to a comeback movie when he loses the plot.