Critic’s Notebook

If you look for it, you can see it. Just as the house lights dim, and right before the instant [...]

I was always a fan of apocalypse movies. Not the kind that overwhelms you with monsters and aliens, and special [...]

If widescreen Hollywood ever had just cause to lapse into melancholy about its future prospects, that time is now. With [...]

In H.G. Wells’s 1897 “The Invisible Man,” Griffin, a scientist and student of optics, carries out a rogue experiment to [...]

Perhaps the best way of approaching Sam Mendes's hell-on-earth World War I saga "1917" is by describing its uncomplicated premise. [...]

Fernando Meirelles's "The Two Popes" should have been a stage play. In such a play, with Jonathan Pryce as the [...]

In Mitzi Pierone's sorcery and female-brokered horror, two on-the-lam city drug dealers — Petula (Imogen Waterhouse) and Tilda (Sasha Hay) [...]

Film critic Max Oxley sees Martin Scorsese's "The Irishman" as yet another demonstration of the aging director's devotion to character-rich storytelling.

Science fiction set in the outer recesses of the solar system gives directors infinite license to break from the needs [...]

Imagine this: You're a little hungry, so you step into a small Italian trattoria for a meal. You have modest [...]

Director Quentin Tarantino, the ultimate rule-breaker, is at it again in “Once Upon a Time … in Hollywood.” A kinder, [...]