When Gondry's film-loving whimsy gets going, it falls flat.

Weir defeats the plane-crash survivor blues thanks to Jeff Bridges.

Soderbergh's tightest movie makes the best of Clooney and J-Lo.

Fellini, like Berlusconi, had his problems with fame — but stick to the movie.

No place to hide, no place to rest, too much to think about... That's "Inland" Lynch.

Boyle's unsunny sci-fi horror flick opens strong... but then comes Halloween.

So you want to make a movie about Don Quixote? Think again.

Godard's "new wave" breakthrough is both passionate and wooden.

Simply put, the least sentimental heist movie ever made — and maybe the best.

Non-conformity has its limits, as "Cool Hand" Paul Newman proves.

Fellini's ode to Rome is a voyeuristic odyssey through a half-imagined city.