Godard's "new wave" breakthrough is both passionate and wooden.

Simply put, the least sentimental heist movie ever made — and maybe the best.

Non-conformity has its limits, as "Cool Hand" Paul Newman proves.

Fellini's ode to Rome is a voyeuristic odyssey through a half-imagined city.

An Irish charmer: Lovely, simple, unpretentious... and non-traumatic.

Walhberg shoots straight, but the arc of Fuqua's bullets are extremely dull.

Clare Danes takes over Anand Tucker's movie based on the Steve Martin novella.

Up, down, sideways, Hawks' screwball world is without peer.

Tim Burton puts Michael Keaton up to devilish no good in haunted house parody.

An L.A. ensemble film that gets the best from Glover, Kline, and Steve Martin.

Sad Mastroianni and Loren leave an indelible mark on Scola's Fascist-era film

Mamet trains comic light artillery on Hollywood and small-town envy.