Camp rules Roland Emmerich's end-world, but here's the sad news: It's not funny.

Antonioni's landmark "Red Desert" makes 1960s Ravenna into a color wasteland.

Noah Baumbach's downbeat slice of life is too dour for anyone's good.

Roman Polanski stamps authority onto a thriller about a Tony Blair-style lackey.

Terrence Stamp and a young Tim Roth give early Stephen Frears something to cheer about.

Michael Caine runs the table in an insidiously effective Graham Greene remake.

Dorris Dörrie's mournful view of life's end is too often piano-addled.

Angelina Jolie puts a pretty face on a Saturday matinée thriller, but the fun ends there.

The Himalayas was no country for intense nuns — at least not in 1947.

Tornatore's "Cinema Paradiso" semi-sequel strikes a melancholy note.

In Herzog's celebrated "Aguirre," conquistador and Kinski are too close for comfort.

"No goats, no glory" is the tag-line. Many goats, tedious film might be better.