Terrence Stamp and a young Tim Roth give early Stephen Frears something to cheer about.

Dorris Dörrie's mournful view of life's end is too often piano-addled.

Michael Caine runs the table in an insidiously effective Graham Greene remake.

Angelina Jolie puts a pretty face on a Saturday matinée thriller, but the fun ends there.

The Himalayas was no country for intense nuns — at least not in 1947.

Tornatore's "Cinema Paradiso" semi-sequel strikes a melancholy note.

In Herzog's celebrated "Aguirre," conquistador and Kinski are too close for comfort.

"No goats, no glory" is the tag-line. Many goats, tedious film might be better.

Henry Fonda at his best was a sly mixture of modest heroism and shy wit.

Spike Lee's early take on race relations in Brooklyn remains a stunning accomplishment.

Gene Hackman's "Popeye" Doyle took the tough cop mold and made it his for keeps.