Joan Didion at her fictional best was all about personal and government conspiracies.

Understanding the whole of World War II requires digging into Sebald's musings.

McEwen's rural allegory says more about evil's omnipresence that volumes of history.

Robert Musil's imaginative short fiction often uses Rome as a take-off point.

Coetzee's latest parable, which pokes at the roots of faith, is his best in years.

God is in the details for Mavis Gallant, Canada's leading Parisian emissary.

For László Krasznahorkai, neither God nor the devil offer a "human" way out.

Once a wizard when it came to macabre irony, Dan Rhodes has lost his mojo.