Woody Allen's tribute to the Paris of Scotty and Papa is sweet but slight.

Joel Schumacher's compelling look into snuff movies starts strong but gets silly.

Louis Malle's American lament is fortified by Lancaster and Sarandon.

Ashley Judd's breakout performance in an indie gem was by far her best.

Tim Burton's brilliant "Batman" refused to yield to comic book bubbles.

Clint Eastwood's directing skills may have peaked with his 1992 anti-Western.

An Australian thriller that opens mysteriously can't maintain its promising luster.

Malick's first — fresh, unpretetious and American to the core— is his best.

A blockbuster with Omar Sharif, Anthony Hopkins and Ian Holm is Richard Harris' movie.

Neil Burger's Grimm-style film is a delightful departure from effects and animation.

Malick's shaman-like work overstays both is musical and visual welcome.

J.J. Abrams' homage to the early Steve Spielberg doesn't live up to its potential.