J.J. Abrams' homage to the early Steve Spielberg doesn't live up to its potential.

Judeo-Christian intimations aside, welcome to sci-fi "romantic comedy."

Scorsese's psychological thriller takes on too much and comes up lame.

Hitchcock's best movie is about a man who wants what he dreams, not what he has.

The only satisfying part of Michael Radford's ode is the great Massimo Troisi.

There's no better chance to see Steve McQueen in his cool prime than here.

Young Scorsese and De Niro carved a perfect storm from squalor of 1970s New York.

Wim Wenders, Mr. "Paris, Texas," struck out big-time by trying to tackle L.A.

Thank cinematographers Néstor Alemandros and Haskell Wexler for bailing out Malick.

Does comedy get much better than this? For the sake of argument, no.

Luc Besson's Nikita is an edgy cross between sex symbol and wild-child.