16 minutes of Hopkins-Lecter is all it takes to make memories.

When Gondry's film-loving whimsy gets going, it falls flat.

Soderbergh's tightest movie makes the best of Clooney and J-Lo.

Fellini, like Berlusconi, had his problems with fame — but stick to the movie.

No place to hide, no place to rest, too much to think about... That's "Inland" Lynch.

Godard's "new wave" breakthrough is both passionate and wooden.

Simply put, the least sentimental heist movie ever made — and maybe the best.

Non-conformity has its limits, as "Cool Hand" Paul Newman proves.

Fellini's ode to Rome is a voyeuristic odyssey through a half-imagined city.

Up, down, sideways, Hawks' screwball world is without peer.

Mika Kaurismäki's low-budget romantic comedy is a quirky treat.

Mamet trains comic light artillery on Hollywood and small-town envy.