Film Reviews
10 Cloverfield Lane
The prequel to "Cloverfield" is an ode to the menace of John Goodman, who steals this show.
The Ones Below
David Farr's creepy thriller about babies and unstable mothers is at once unsettling but predictable.
Regression
Alejandro Amenábar's mediocre devil-worship thriller is really an object lesson in manipulated hysteria.
High-Rise
Ben Wheatley's adaptation of a 1975 J.G. Ballard parable is beautiful to look at but dated in spirit.
Southbound
Four directors do a good job of situating purgatory on a California highway, until they run out of gas.
The Invitation
Karyn Kusama's horror-thriller has its moments, but fails to make the most of lingering menace.
MI-5 (Spooks: The Greater Good)
An outgrowth of British TV, Bharat Nalluri's espionage thriller is direct and workmanlike.
Spotlight
Tom McCarthy's superb "Spotlight" is just as much about journalistic doggedness as sexual abuse.
99 Homes
Ramin Bahrani's movie about eviction woes is a small masterpiece of greed and tension.
Carol
Todd Haynes has become an expert in bringing the style and values of the American 1950s to life.