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October 17, 2019 | Rome, Italy

The Confusions of Young Törless

By | 2018-03-21T18:52:39+02:00 December 29th, 2012|Recent Reviews|

By Robert Musil, translated from the German by Shaun Whiteside

Penguin Classics, 1906 (2001). 160 pages.

Though the anti-depressant age has made it trendy to associate teenage angst and its acronymic disorders with family “dysfunction” and constant over-stimulation, Austrian Robert Musil’s challenging 1906 novel undoes easy assumptions by focusing on four students at a military boarding school as they charge wantonly into the “raging storm” that is discontent and unapologetic sexual brutality.

Enrolled at the fastidious academy in an outlying town of the Austro-Hungarian Empire and estranged from his doting elitist parents, teen narrator Törless finds himself surrounded by quirky classmates groping awkwardly to grow up. A pensive, doubt-ridden youth, Törless is a stranger to his own erotic progress and soon mesmerized by the “secret intrigues” of his two close friends, one a cruel and pretentious believer in Indian mysticism, the other a bland but shrewd blackmailer. Both rationalize morality to suit themselves and conspire to transform a weaker classmate into a sexual slave.

As with Conrad’s “Heart of Darkness,” what matters here is the thinness of the line dividing high culture from arbitrary savagery. A storeroom where the boys go to hide out becomes a “forgotten closet of the Middle Ages” where behavior turns “dark and bloodthirsty.” Torture pierces the “illuminated surface” and tosses out the “wooden ruler of rationalism” — all in plain view of the stunned and ultimately laissez faire Törless (“Things happen; that’s wisdom in its entirety…”)

Military school sufferer Musil (1880-1942), who wrote the novel just as Freud’s speculations on sexuality and psychotherapy gained traction, gives Törless a kind of adolescent universality. He’s maimed by a primeval world neither words nor mathematical rationalism resolves. Though pre-destined to lead a safe life, what happens among the boarders gives Törless a glimpse of “dark, subterranean waters” in which “ailing refinement” carries the seeds of a deeper cultural sickness.

In Törless’s “furtive, forbidden, overheated” confusions lurk harbingers of a larger menace that would express itself in the coming world war, one that would not only decimate the Empire and open the door to Nazism, but also put Musil on the slow road to ruin.

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